Jhumpa Lahiri has boasted an enviable
literary career since nabbing the Pulitzer Prize for her 1999 debut story
collection, Interpreter of Maladies, which introduces Indians and Indian Americans
grappling with, among other things, deracination and assimilation. In 2006, an
adaptation of Lahiri's second book, The
Namesake, by celebrated filmmaker Mira Nair,
earned the kind of praise her internationally best-selling novel drew three
years earlier. Lahiri's new story collection, Unaccustomed
Earth (Knopf), should have no problem upholding her
reputation.
In
the stories, some of which she began to write while working on The Namesake, we
encounter first-generation Indian Americans—often married to non-Indians and
starting families of their own—who've come of age in two cultures, America and
the more insular if still vast world of their Indian parents and friends, whose
expectations and experiences are in stark contrast to their own. Lahiri delves
into the souls of indelible characters struggling with displacement, guilt, and
fear as they try to find a balance between the solace and suffocation of
tradition and the terror and excitement of the future into which they're being
thrust. The title is borrowed from a line in Nathaniel Hawthorne's "The
Custom-House" ("My children have had other birthplaces, and, so
far as their fortunes may be within my control, shall strike their roots into
unaccustomed earth") and evokes the themes within the pages—pages that
further establish her as an important American writer.
"In a sense, very little. The question of identity is always a difficult one, but especially so for those who are culturally displaced, as immigrants are, or those who grow up in two worlds simultaneously, as is the case for their children." -Jhumpa Lahiri. She is indeed the storyteller who weave the lace of love, identity, crisis, lies and faults in a matured way. Her works are enriched with sensitive dilemmas in life. Characters in her books experiences the cultural as well as the generation gaps. She therefore comments on the effects of Western colonialism on Indians and Indians in Diaspora. Jhumpa Lahiri is not only a writer but the weaver of dreams, the fabricator of emotion and therefore her each and every novel becomes an outlet for her emotions.
"In a sense, very little. The question of identity is always a difficult one, but especially so for those who are culturally displaced, as immigrants are, or those who grow up in two worlds simultaneously, as is the case for their children." -Jhumpa Lahiri. She is indeed the storyteller who weave the lace of love, identity, crisis, lies and faults in a matured way. Her works are enriched with sensitive dilemmas in life. Characters in her books experiences the cultural as well as the generation gaps. She therefore comments on the effects of Western colonialism on Indians and Indians in Diaspora. Jhumpa Lahiri is not only a writer but the weaver of dreams, the fabricator of emotion and therefore her each and every novel becomes an outlet for her emotions.
Jhumpa
LahiriJhumpa Lahiri was born in 1967 in London to a Bengali parent. She moved
to South Kingstown, Rhode Island when she was child. Jhumpa Lahiri learned her
Bengali heritage from her mother from a very early age. Jhumpa Lahiri is a daughter
of a librarian and schoolteacher. She has always been inclined to creative
writing. She married Alberto Vourvoulias Bush in 2001. They have two children
from their marriage.
Jhumpa
Lahiri received her B.A in English literature from Barnard College in 1989 and
M.A in Creative Writing, Comparative Literature from Boston University. She
also received her Ph.D. in Renaissance Studies from Boston University. She took
up a fellowship at Provincetown`s Fine Arts Work Center in 1997.
Right
from a very young age she felt that strong ties to her parents` homeland India
as well as the United States and England. A sense of homelessness and an
inability to feel accepted took place as she grew up with ties to all three
countries. To her it is an inheritance of her parents` ties to India.
Columbia
University President George Rupp presents Jhumpa Lahiri with The 2000 Pulitzer
Prize in Fiction At a press conference in Calcutta this absence of
belongingness comes out of her word "No country is my motherland. I always
find myself in exile in whichever country I travel to, that`s why I was tempted
to write something about those living their lives in exile". We find the
idea of exile through out her work "Interpreter of Maladies".
The collection of nine distinct stories revolves around the first and
second-generation Indian immigrants and the idea of otherness among the
country. The story theme also includes the marital difficulties. It won
`Pulitzer Prize` in 2000 for fiction. In addition it received the PEN/Hemingway
Award, the New Yorker Debut of the Year award, an American Academy of Arts and
Letters Addison Metcalf Award, The Transatlantic Review award from Henfield
Foundation, The Louisiana Review award for short fiction, the O.Henry Award for
Best American Short Stories, and a nomination for the Los Angeles Times Book
Prize. Guggenheim fellowship was awarded to her in the year 2002.
NamesakeJhumpa
Lahiri made her debut as novelist with "The Namesake" in 2003.
The story of the novel reveals the cultural and generational gaps between the
parents. The storyline is like a parent who have immigrated to the United
States born in Calcutta and their son American-born Gogol, wants to fit in
among his fellow New Yorkers, despite his family`s unwillingness to let go of their
traditional ways. A film was made based upon her novel.
Jhumpa
Lahiri also wrote "Indian Holy Song" in 2000, "A
temporary Prayer: What Happens when the Lights go out" in 1998, "Sexy"
in 1998 and "The Third and Final Continent" in 1999.
Jhumpa
Lahiri exploded onto the literary sense from 1999. In her short career no sign
of slowing down appears till date. Reader`s curiosity brings her audience
together and they seem to be mesmerized by her writings. It is difficult to
compare Jhumpa Lahiri`s work to many other Indian or Indian-American authors.
Lahiri is also able to draw her readers into the story through her detail and
by making them feel the emotional, physical, and mental needs of the
characters.
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