In
Death Be Not Proud, John Gunther explores the process of death: discovery,
fighting, living on, and then dying. The process becomes just a little bit
easier, as humor, human kindness and courage all are woven in. More than just
about dying, this memoir becomes a study of living. Gunther asked himself the
larger questions: "Why was Johnny being subjected to this merciless
experience?" And, then he says, "suffering is an inevitable part of
most lives." He wanted to believe there was some greater purpose, like the
works of art that came out of Milton's blindness and Beethoven's deafness. He
says, "perhaps the entire harrowing episode would make his brain even
finer, subtler, and more sensitive than it was."
Of
course, Johnny's brain did not become sharper. Even early in the process of
fighting the brain tumor, he seems to feel that death is inevitable, as Johnny
laments: "I have so much to do! and there's so little time!" In a
very literary sense, his statement is foreshadowing his untimely end, but
there's also a feeling of eagerness, of an absolute passion for life. He wants
to see what he can do, what he can accomplish! He's still so young, and there's
a certain amount of impetuous naivety mingled with absolute realism.
We
know Death will win, but Death need not be proud. Johnny fought a valiant
fight; and, along the way, he gained the respect of his family, friends, his
doctors, and strangers. His life becomes a sort of experiment. And, in the end,
the doctors could do nothing. "All the doctors!--helpless flies now,
climbing across the granite face of death."
Johnny
was sometimes able to function at a level that could almost be called
"normal," but he was continually faced with the realization that his
mind was deteriorating. His memory began to fail him, as more of the healthy
tissue was taken over. As Gunther writes, "All that goes into the
brain--the goodness, the wit, the sum total of enchantment in a personality,
the very will, indeed the ego itself--being killed inexorably, remorselessly,
by an evil growth!" And, no matter what new treatments they tried, they
couldn't find a cure.
A
Fight to the Death
The
struggle against death is a fight against the void, against the loss of
life--the spark. It is, as Gunther says:
"A
primitive to-the-death struggle of reason against violence, reason against
disruption, reason against brute unthinking force--this was what went on in
Johnny's head. What he was fighting against was the ruthless assault of chaos.
What he was fighting for, as it were, the life of the human mind."
Ultimately,
Death came, like a thief in the night. The warmth of his body crept away.
"Then little by little the life-color left his face, his lips became blue,
and his hands were cold."
He
was 17 years old. He would have attended Harvard. But, none of that mattered,
as everyone who knew him remembered his life. Frances writes of her grief and
remembrance: "My grief, I find, is not desolation or rebellion at
universal law or deity. I find grief to be much simpler and sadder... All the
things he loved tear at my heart because he is no longer here on earth to enjoy
them. All the things he loved!"
Like
John Gunther, Frances asks the big questions: "What does it mean? What can
it mean, now?" But, then she draws upon the universality to her discussion
of death: "Parents all over the earth who lost sons in the war have felt
this kind of question, and sought and answer. To me, it means loving life more,
being more aware of life, of one's fellow human beings, of the earth."
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