Have
you ever wondered why so much controversy still surrounds the life, works and
death of Christopher Marlowe (1564-1593)? His legend has become all the more
mysterious in the centuries since he lost his life in a barroom brawl. Or did
he die? Perhaps, he lived on to give us the great works of Shakespeare, or
perhaps some other plays. And, if these historical stories about his life are
not fantastic enough, modern retellings have helped to keep our imaginations
alive.
In
Christopher Marlowe: A Literary Life,
Lisa Hopkins tries to sort fact from fiction to create a more realistic picture
of this literary master: his life, his adventures, his works, and even his
death. By presenting the history of the Marlowe controversy, along with more
modern interpretations of his life and work, Hopkins contributes to serious
discussion. She explains that writings about Christopher Marlowe have ranged
"from the nonsense of the authorship conspiracy theorists to brilliant
explorations of his individual works or his career as a whole." This book
is an attempt to cover all of these areas, starting with an overview of his
canon, moving to his early life and education, discussing the creation of his
works, then touching upon the "afterlife" of his works.
Hopkins
explores the depth of Marlowe's writing. Even though he only lived for a short
time, the few works we have from him are innovative in form and genre. "To
some extent," Hopkins says, "all of Marlowe's theatre can be seen as
probing and testing what society will and will not tolerate, particularly in
the specific arenas of religious dissidence, lack of conformity to the norms of
heterosexuality, and unwillingness to accept constituted authority." The
subject matter of his plays can't be surprising, really, especially considering
the dramatic life he led outside of the theatrical realm. Historical evidence
suggests that he played the part of a spy. And outside of these daring
escapades, "he was associating with men who constituted risky and sometimes
violent company."
The
life he led was violent, so it's not a shocker that his death was far from
natural. Some theorists say his death by stabbing might have related to his
work as a spy, while others believe it had something to do with his religious
beliefs (or unbelief). Hopkins writes, "Dying in odd circumstances, which
we will perhaps never fully understand, he was buried hugger-mugger in a
location we can no longer precisely identify."
With
the mystery of his life, and the uncertainty of the circumstances surrounding
his death, it seems fitting that we don't even know where he was buried.
There's more than a little tragedy in his dying so young, and with so few works
to make up his canon. Hopkins says, "With him died attitudes toward
religion, sexuality and society, which we are unlikely ever to be able to
reconstruct in their original complexity." The few works he did leave us
are in "a hopeless muddle."
If
his works were incomplete or muddled, at least we have them. We also have the
legends that have been passed down to us through literature and legend. He is
always a part of the Shakespeare Authorship Controversy; and what little we
know of his life has become the subject for countless bits of fiction.
Perhaps
most notable among the recent fictionalized Marlowe characters is his
appearance in "Shakespeare in Love." As Lisa Hopkins explains,
"Rupert Everett's benevolent and more successful Marlowe acts as role
model to the young Shakespeare, buying him drinks and helping him to think of a
better plot for his projected play... before dying in a brawl in a Deptford
pub."
Of
course, as with any fictionalization, the movie takes liberties with some of
the facts literary scholars hold to be true. Hopkins writes, "Though the
film makes no pretensions to historical accuracy, it does include some
interesting pretensions to historical accuracy, it does include some
interesting suggestions: "Doctor Faustus," we are told, is an early
work, while Marlowe has just finished writing "The Massacre at Paris
"on the day of his death."
In
spite of the years that have intervened to separate us from any concrete
answers to the Marlowe legend, we still look for answers. Every historical bit
of paper is examined. Perhaps, we'll discover some unknown manuscript that will
answer all of our questions.
Hopkins
writes, "Perhaps the ultimate fascination of Marlowe... is the ways in
which he defies easy assimilation into the modern world and retains his
mystery."
No comments:
Post a Comment