Saturday, 31 January 2015

The Collar

      

I struck the board, and cried, "No more;
                         I will abroad!
What? shall I ever sigh and pine?
My lines and life are free, free as the road,
Loose as the wind, as large as store.
          Shall I be still in suit?
Have I no harvest but a thorn
To let me blood, and not restore
What I have lost with cordial fruit?
          Sure there was wine
Before my sighs did dry it; there was corn
    Before my tears did drown it.
      Is the year only lost to me?
          Have I no bays to crown it,
No flowers, no garlands gay? All blasted?
                  All wasted?
Not so, my heart; but there is fruit,
            And thou hast hands.
Recover all thy sigh-blown age
On double pleasures: leave thy cold dispute
Of what is fit and not. Forsake thy cage,
             Thy rope of sands,
Which petty thoughts have made, and made to thee
Good cable, to enforce and draw,
          And be thy law,
While thou didst wink and wouldst not see.
          Away! take heed;
          I will abroad.
Call in thy death's-head there; tie up thy fears;
          He that forbears
         To suit and serve his need
          Deserves his load."
But as I raved and grew more fierce and wild
          At every word,
Methought I heard one calling, Child!
          And I replied My Lord.

SUMMARY

According to Dryden, a metaphysical poet presents not an emotional outpouring but a cool argument. The Collar is one of the finest poems written by George Herbert  in the history of metaphysical lyrics. The title of the poem 'The Collar' refers to the white band worn by the clergy. It also refers to the priest role as servant.

The poem shows that the poet is involved in a struggle with his own soul. George Herbert rebels against the disciplines  of his vocation of priesthood:
                   ‘I STRUCK the board and cried, no more’
The poet wants to be left as free as the wind. He complains that he has to suffer because of Adam's tasting of the forbidden fruit. He says bitterly that he is not crowned with bay flowers. His inner self urges him to enjoy at least the remaining part of his life the self says, It is not necessary to reject earthly joys and pursue spiritual advancement.

The inner self says that death comes not only to sinners but also to saints. One had to face death bravely instead of missing pleasures. The poet's conscience talks of the wine and 'corn' symbols of the Eucharistic chalice offered by Christ to his disciples. The poet is wasting himself by sighing, pining and shedding tears instead of following the footsteps of Christ. The forbidden fruit misled our first parents. The conscience says that another 'fruit' is available now to the sinner - He can follow Christ and achieve salvation for himself. The conscience urges the poet to stretch his hands and pluck this fruit.

The poet hears the voice of GOD, lovingly called him 'Child'. He at once calls God, 'My Lord'. There are farfetched comparisons used by the metaphysical poets. There are few conceits in 'The Collar'.

A Valediction: Forbidding Mourning


      BY JOHN DONNE

As virtuous men pass mildly away,
   And whisper to their souls to go,
Whilst some of their sad friends do say
   The breath goes now, and some say, No:

So let us melt, and make no noise,
   No tear-floods, nor sigh-tempests move;
'Twere profanation of our joys
   To tell the laity our love.

Moving of th' earth brings harms and fears,
   Men reckon what it did, and meant;
But trepidation of the spheres,
   Though greater far, is innocent.

Dull sublunary lovers' love
   (Whose soul is sense) cannot admit
Absence, because it doth remove
   Those things which elemented it.

But we by a love so much refined,
   That our selves know not what it is,
Inter-assured of the mind,
   Care less, eyes, lips, and hands to miss.

Our two souls therefore, which are one,
   Though I must go, endure not yet
A breach, but an expansion,
   Like gold to airy thinness beat.

If they be two, they are two so
   As stiff twin compasses are two;
Thy soul, the fixed foot, makes no show
   To move, but doth, if the other do.

And though it in the center sit,
   Yet when the other far doth roam,
It leans and hearkens after it,
   And grows erect, as that comes home.

Such wilt thou be to me, who must,
   Like th' other foot, obliquely run;
Thy firmness makes my circle just,
   And makes me end where I begun.

Summary

"A Valediction: forbidding mourning" was written by Donne for his wife Anne when he left for France along with Robert Drury in November, 1611. This poem has been universally acclaimed for its beauty and strength of imagery. Donne tells Anne that virtuous men do not grumble about their death and allow their souls to depart without much fuss. So Anne should allow him to take leave of her without much grief.

People are terribly afraid of the earthquake and calculate the harms brought about by it. But the movement of the spheres is not noticed by them at all since it is harmless. People whose love is physical cannot endure each other's absence. But their love is refined and they do not care for their physical organs like eyes , lips and hands. Their two souls have been made one by love. Hence they will not suffer any breach. They will expand during the absence just as gold expands when it is beaten to Airy thinners.

The lovers are like the two feet of compass which are united at the top. She is like the fixed foot while the poet is like the moving foot:
                  And though it in the centre sit,
                  Yet when the other far doth Rome,
                  It leanes , and hearkent after it,
                  And groups erect, as that comes home.
The firmness of the fixed foot helps the moving foot to draw a perfect circle. Similarly, the loyalty and affection of the lady will help him to complete his journey successfully. Coleridge describes it as "An admirable poem which none but Donne could have written". 

The Spider and the Bee Episode



Jonathan_Swift wrote The Battle of the Books primarily to defend the position taken by his patron Sir William Temple in the pamphlet war at the end of the 17C, regarding the rival claims to greatness of the Moderns and the Ancients. The essay presents this controversy in the form of an imaginary battle between two sets of books in the Royal Library of St. James. As the battle is about to begin, there is an unexpected interruption in the form of a quarrel between a spider who had woven a web on “the highest corner of a large window” and a bee who alighted by mistake upon “one of the outward walls of the spider’s citadel” (i.e. one of the threads of the spider’s web) which, “yielding to the unequal weight just sunk down to the very foundations.” Upon this ensues a verbal battle between the two insects, which stops short of a physical fight. The controversy is seen however by Aesop, one of the Ancients represented in the library, who now makes a speech. Aesop feels that the quarrel between the spider and the bee is emblematic or symbolic of the quarrel between the Ancients and the Moderns. At the end of the speech, preparations for the battle of the books are renewed.

As has already been noted, Swift wrote the essay in support of William Temple’s An Essay upon Ancient and Modern Learning where he had tried to present evidence in favour of the Ancients. Swift’s essay, as well as Temple’s earlier one, must be viewed in the context of the advances made in 17C England and Europe in the fields of Literature, Philosophy and Science. The empirical spirit if the Age expressed itself “in a whole-hearted devotion to the self-confident acquisition of information in the conviction that this alone led to truth.” This conviction Temple regarded as “the modern form of pride, the primal sin.” Swift largely agrees with this estimate, though he goes on to parody Temple’s essay.
The Spider and the Bee episode, like The Battle of the Books itself, belongs to the genre of the satirical argumentative discourse and the first texture we notice is the satirist’s favourite and effective device – namely the mask. In fact we find that there are two levels of the mask here. If The Battle of the Books is itself a mask and a dramatization of the arguments of the contemporary scholars in the ‘Ancients vs Moderns’ controversy, the quarrel between the spider and the bee is an inset drama within this drama and a mask within a mask as it were. While the device helps the author to achieve artistic distance – it is not Swift directly speaking, it is the spider and the bee as they are viewed by Aesop and the other writers and books in the library – the particular choice of the spider and the bee is also quite appropriate. The hyperbole involved in the description of the spider’s web and the bee’s intrusion into it presents the Ancients vs Moderns controversy in a humorous light; but the hyperbole is also appropriate because what is actually presented is not a quarrel between the two insects but a dispute between two diametrically opposed categories of scholars.
Swift provides a proper perspective to his technique by making one of his own characters in the essay, Aesop, comment on the appropriateness of the choice of the spider and the bee: “Was ever anything so modern as the spider in his air, his turns and his paradoxes,” asks Aesop. The spider becomes a symbol of the Modern’s spirit not only by his strengths, namely his skill in architecture and the improvement in mathematics, but also by his serious limitations – his boastful air of self-sufficiency and the disgusting nature of the materials he works with even if his methods are effective. The skill in architecture and the improvement in Maths are references to the advances made in England during the previous decades and to the improvements in navigation and fortification and also to the work of the Royal Society. On the disagreeable side, the materials with which the spider works, the spit and poison he uses both to build his house and to kill his opponents are representative of the material with which modern (17C) writer works – satire and invective. And, in general, the arrogant boast of the spider is illustrious o the proud self-sufficiency of the Moderns. As for the bee, like the Ancients, he is content to trace his nativity to heaven. His wings and his voice – which alone are his protection and support – are symbolic of the flight of imagination and the sweet idiomatic language of the Ancients. The substances he produces are not spit and venom but honey and wax which provide sweetness and light. These correspond to the twin benefits of pleasure and instruction which the Ancients provide. The spider and the bee are, thus, apt emblems for the Moderns and the Ancients.

The language employed by the two insects is again representative of the temper and spirit of the two disputants. The spider calls the bee ‘sirrah”, “vagabond”, “rogue” and, in general, uses the most abusive kind of language. The bee, on the other hand, displays a more patient spirit, calls the spider “friend”’ grants the spider’s merits (“In that building of yours there might, for aught I know, have been labour and method enough”) but goes on persuasively (giving out the sweetness of courtesy and the light of wisdom) to point out his serious shortcomings, employing a comely simile too (“If I may judge the licour in a vessel by what issues out”).
There is a contrast, too, in the syntactic structures employed by the spider and the bee which again seems to recapture the Modern and the Ancient styles of writing. The sentences of the spider are generally short, appropriate to the angry spirit of the Moderns. (For e.g., “Is it you, with a vengeance, that have made this litter here? Could you not look before you and be d—d?”) The sentences spoken by the bee are longer, revealing a greater complexity of control over language and thought. Consider, for e.g., the sentence of the bee’s speech: “So that in short the question comes all to this ……wax.”

The sentence shows the ability of the Ancients to hold different and opposed ideas in the mind, weight hem and to arrive at a decision. The complexity of the sentence poses no problem to the reader because the grouping and the punctuation provide helpful clues tot eh organization of the thought. A similar complexity and lucidity are found naturally in the speech of Aesop (one of the Ancients) himself as see, for e.g., in the last sentence of that speech. This ability to combine syntactic complexity with cumulative lucidity was one of the attributes of Jonathan Swift himself.

A great part of our enjoyment of The Battle of the Books arises from the fact that it is written in the mock-heroic vein. Like all other writers of mock-heroic compositions, Swift too assumes a mock-heroic gravity while treating a trivial incident. He uses the lofty style of the epic to make his descriptions of trivial things effective. In the spider and the bee episode, the spider’s web, for instance, is described as a grand palace or citadel. Moreover, while describing the bee’s attempt to escape from the web in which he gets caught, Swift uses a favourite mannerism of the epic poets – the repetition of “thrice”: “Thrice he endeavoured to force his passage and thrice the center shook.” Again when he says, “The spider within, feeling the terrible convulsions supposed at first that nature was approaching to her final dissolution…”, we are reminded of Milton’s description of Eve’s tasting of the Forbidden Fruit: “Earth felt the wound and Nature, from her seat/Sighing through all her works gave signs of woe/That all was lost.”

It may be noted in passing that Swift employs irony as Mathew Arnold does. Swift’s sentences about the spider’s geometry and architecture are effective precisely because of their ironic tone. Though it is not bitter, as for e.g., in his other work, A Modest Proposal, or the last voyage in Gulliver’s Travels, it is powerful enough to direct the attention of the reader against the spider. Arnold’s irony is equally powerful but it takes the form of good-humoured banter. Arnold would no hurt a fly but Swift would not object even if he were accused of cynicism. His irony is witheringly sharp.

Matter divided into 7 parts as in Ancient Orators
1. Exordium – sketchy, indirect introduction
2. Narration – important facts, situation
3. Proposition – author’s aim
4. Division – elaboration of situation
5. Refutation – of the arguments of the opponents
6. Confirmation – findings that confirm the hypothesis
7. Peroration – summing up (not found in The Battle of the Books)


The Battle of Books



The battle of books (1704), a prose satire by Jonathan Swift written in 1697 when he was residing with Sir W. Temple, and published in 1704.

The battle of books is a simple mock-heroic account of a battle among the books resting in the king’s library at St. James Palace. The battle itself is a satirical allegory on an intellectual debate that had been ranging in England since 1692, sometimes called the battle of the Ancients and the Moderns. In theory, the battle concerned the relative value of the intellectual accomplishment of antiquity, as compared to the “progress” that had been made in many fields of human knowledge since the Renaissance.

Temple had written an essay on the comparative merits of “Ancient and Modern Learning’. This subject was somewhat controversial in Paris which involved an uncritical praise of the spurious Epistel of Phalaris that Temple had drawn on himself the censure of William Wanton and Bentley. Swift in his The Battle of the Books treats the whole question with satirical humour.
The ‘Battle’ originates from a request by the moderns that the ancients shall evaluate the higher of the two peaks of Parnassus which they have hitherto occupied, the books that are advocates of the moderns take up the matter, but before the actual encounter, a dispute arises between a spider living in the corner of the library and a bee that has got entangled in the spider’s web.

Aesop sumps up the dispute: the spider is like the moderns who spin their scholastic lore out of their own entrails; the bee is like the ancients who go to nature for their honey. Aesop’s commentary rouses the books to fury and they join the battle. The ancients, under the patronage of Pallas are led by Homer, Pindar, Euclid, Aristotle, and Plato, with Sir W. Temple commanding the allies, the moderns by Milton, Dryden, Descartes, Hobbes, Bacon and others with the support of Momus and the malignant deity, criticism. The fight is conducted with great spirit. Aristotle aims an arrow at Bacon but it hits Descartes, Homer overthrows Gondibert. Virgil encounters his translator Dryden. On the whole, the ancients have the advantage, but a parley ensues and tale leaves the issue undecided.

THE BATTLE OF THE BOOKS Ch. 1

THE BATTLE OF THE BOOKS

Ch. 1: Ancient and Modern Books

A FULL AND TRUE ACCOUNT OF THE BATTLE FOUGHT LAST FRIDAY BETWEEN THE ANCIENT AND THE MODERN BOOKS IN SAINT JAMES'S LIBRARY.
Whoever examines, with due circumspection, into the annual records of time, will find it remarked that War is the child of Pride, and Pride the daughter of Riches:--the former of which assertions may be soon granted, but one cannot so easily subscribe to the latter; for Pride is nearly related to Beggary and Want, either by father or mother, and sometimes by both: and, to speak naturally, it very seldom happens among men to fall out when all have enough; invasions usually travelling from north to south, that is to say, from poverty to plenty. The most ancient and natural grounds of quarrels are lust and avarice; which, though we may allow to be brethren, or collateral branches of pride, are certainly the issues of want. For, to speak in the phrase of writers upon politics, we may observe in the republic of dogs, which in its original seems to be an institution of the many, that the whole state is ever in the profoundest peace after a full meal; and that civil broils arise among them when it happens for one great bone to be seized on by some leading dog, who either divides it among the few, and then it falls to an oligarchy, or keeps it to himself, and then it runs up to a tyranny. The same reasoning also holds place among them in those dissensions we behold upon a turgescency in any of their females. For the right of possession lying in common (it being impossible to establish a property in so delicate a case), jealousies and suspicions do so abound, that the whole commonwealth of that street is reduced to a manifest state of war, of every citizen against every citizen, till some one of more courage, conduct, or fortune than the rest seizes and enjoys the prize: upon which naturally arises plenty of heart-burning, and envy, and snarling against the happy dog. Again, if we look upon any of these republics engaged in a foreign war, either of invasion or defence, we shall find the same reasoning will serve as to the grounds and occasions of each; and that poverty or want, in some degree or other (whether real or in opinion, which makes no alteration in the case), has a great share, as well as pride, on the part of the aggressor.

Now whoever will please to take this scheme, and either reduce or adapt it to an intellectual state or commonwealth of learning, will soon discover the first ground of disagreement between the two great parties at this time in arms, and may form just conclusions upon the merits of either cause. But the issue or events of this war are not so easy to conjecture at; for the present quarrel is so inflamed by the warm heads of either faction, and the pretensions somewhere or other so exorbitant, as not to admit the least overtures of accommodation. This quarrel first began, as I have heard it affirmed by an old dweller in the neighbourhood, about a small spot of ground, lying and being upon one of the two tops of the hill Parnassus; the highest and largest of which had, it seems, been time out of mind in quiet possession of certain tenants, called the Ancients; and the other was held by the Moderns. But these disliking their present station, sent certain ambassadors to the Ancients, complaining of a great nuisance; how the height of that part of Parnassus quite spoiled the prospect of theirs, especially towards the east; and therefore, to avoid a war, offered them the choice of this alternative, either that the Ancients would please to remove themselves and their effects down to the lower summit, which the Moderns would graciously surrender to them, and advance into their place; or else the said Ancients will give leave to the Moderns to come with shovels and mattocks, and level the said hill as low as they shall think it convenient. To which the Ancients made answer, how little they expected such a message as this from a colony whom they had admitted, out of their own free grace, to so near a neighbourhood. That, as to their own seat, they were aborigines of it, and therefore to talk with them of a removal or surrender was a language they did not understand. That if the height of the hill on their side shortened the prospect of the Moderns, it was a disadvantage they could not help; but desired them to consider whether that injury (if it be any) were not largely recompensed by the shade and shelter it afforded them. That as to the levelling or digging down, it was either folly or ignorance to propose it if they did or did not know how that side of the hill was an entire rock, which would break their tools and hearts, without any damage to itself. That they would therefore advise the Moderns rather to raise their own side of the hill than dream of pulling down that of the Ancients; to the former of which they would not only give licence, but also largely contribute. All this was rejected by the Moderns with much indignation, who still insisted upon one of the two expedients; and so this difference broke out into a long and obstinate war, maintained on the one part by resolution, and by the courage of certain leaders and allies; but, on the other, by the greatness of their number, upon all defeats affording continual recruits. In this quarrel whole rivulets of ink have been exhausted, and the virulence of both parties enormously augmented. Now, it must be here understood, that ink is the great missive weapon in all battles of the learned, which, conveyed through a sort of engine called a quill, infinite numbers of these are darted at the enemy by the valiant on each side, with equal skill and violence, as if it were an engagement of porcupines. This malignant liquor was compounded, by the engineer who invented it, of two ingredients, which are, gall and copperas; by its bitterness and venom to suit, in some degree, as well as to foment, the genius of the combatants. And as the Grecians, after an engagement, when they could not agree about the victory, were wont to set up trophies on both sides, the beaten party being content to be at the same expense, to keep itself in countenance (a laudable and ancient custom, happily revived of late in the art of war), so the learned, after a sharp and bloody dispute, do, on both sides, hang out their trophies too, whichever comes by the worst. These trophies have largely inscribed on them the merits of the cause; a full impartial account of such a Battle, and how the victory fell clearly to the party that set them up. They are known to the world under several names; as disputes, arguments, rejoinders, brief considerations, answers, replies, remarks, reflections, objections, confutations. For a very few days they are fixed up all in public places, either by themselves or their representatives, for passengers to gaze at; whence the chiefest and largest are removed to certain magazines they call libraries, there to remain in a quarter purposely assigned them, and thenceforth begin to be called books of controversy.
In these books is wonderfully instilled and preserved the spirit of each warrior while he is alive; and after his death his soul transmigrates thither to inform them. This, at least, is the more common opinion; but I believe it is with libraries as with other cemeteries, where some philosophers affirm that a certain spirit, which they callbrutum hominis, hovers over the monument, till the body is corrupted and turns to dust or to worms, but then vanishes or dissolves; so, we may say, a restless spirit haunts over every book, till dust or worms have seized upon it--which to some may happen in a few days, but to others later--and therefore, books of controversy being, of all others, haunted by the most disorderly spirits, have always been confined in a separate lodge from the rest, and for fear of a mutual violence against each other, it was thought prudent by our ancestors to bind them to the peace with strong iron chains. Of which invention the original occasion was this: When the works of Scotus first came out, they were carried to a certain library, and had lodgings appointed them; but this author was no sooner settled than he went to visit his master Aristotle, and there both concerted together to seize Plato by main force, and turn him out from his ancient station among the divines, where he had peaceably dwelt near eight hundred years. The attempt succeeded, and the two usurpers have reigned ever since in his stead; but, to maintain quiet for the future, it was decreed that all polemics of the larger size should be hold fast with a chain.
By this expedient, the public peace of libraries might certainly have been preserved if a new species of controversial books had not arisen of late years, instinct with a more malignant spirit, from the war above mentioned between the learned about the higher summit of Parnassus.
When these books were first admitted into the public libraries, I remember to have said, upon occasion, to several persons concerned, how I was sure they would create broils wherever they came, unless a world of care were taken; and therefore I advised that the champions of each side should be coupled together, or otherwise mixed, that, like the blending of contrary poisons, their malignity might be employed among themselves. And it seems I was neither an ill prophet nor an ill counsellor; for it was nothing else but the neglect of this caution which gave occasion to the terrible fight that happened on Friday last between the Ancient and Modern Books in the King's library. Now, because the talk of this battle is so fresh in everybody's mouth, and the expectation of the town so great to be informed in the particulars, I, being possessed of all qualifications requisite in an historian, and retained by neither party, have resolved to comply with the urgent importunity of my friends, by writing down a full impartial account thereof.
The guardian of the regal library, a person of great valour, but chiefly renowned for his humanity, had been a fierce champion for the Moderns, and, in an engagement upon Parnassus, had vowed with his own hands to knock down two of the ancient chiefs who guarded a small pass on the superior rock, but, endeavouring to climb up, was cruelly obstructed by his own unhappy weight and tendency towards his centre, a quality to which those of the Modern party are extremely subject; for, being light- headed, they have, in speculation, a wonderful agility, and conceive nothing too high for them to mount, but, in reducing to practice, discover a mighty pressure about their posteriors and their heels. Having thus failed in his design, the disappointed champion bore a cruel rancour to the Ancients, which he resolved to gratify by showing all marks of his favour to the books of their adversaries, and lodging them in the fairest apartments; when, at the same time, whatever book had the boldness to own itself for an advocate of the Ancients was buried alive in some obscure corner, and threatened, upon the least displeasure, to be turned out of doors. Besides, it so happened that about this time there was a strange confusion of place among all the books in the library, for which several reasons were assigned. Some imputed it to a great heap of learned dust, which a perverse wind blew off from a shelf of Moderns into the keeper's eyes. Others affirmed he had a humour to pick the worms out of the schoolmen, and swallow them fresh and fasting, whereof some fell upon his spleen, and some climbed up into his head, to the great perturbation of both. And lastly, others maintained that, by walking much in the dark about the library, he had quite lost the situation of it out of his head; and therefore, in replacing his books, he was apt to mistake and clap Descartes next to Aristotle, poor Plato had got between Hobbes and the Seven Wise Masters, and Virgil was hemmed in with Dryden on one side and Wither on the other.
Meanwhile, those books that were advocates for the Moderns, chose out one from among them to make a progress through the whole library, examine the number and strength of their party, and concert their affairs. This messenger performed all things very industriously, and brought back with him a list of their forces, in all, fifty thousand, consisting chiefly of light-horse, heavy-armed foot, and mercenaries; whereof the foot were in general but sorrily armed and worse clad; their horses large, but extremely out of case and heart; however, some few, by trading among the Ancients, had furnished themselves tolerably enough.
While things were in this ferment, discord grew extremely high; hot words passed on both sides, and ill blood was plentifully bred. Here a solitary Ancient, squeezed up among a whole shelf of Moderns, offered fairly to dispute the case, and to prove by manifest reason that the priority was due to them from long possession, and in regard of their prudence, antiquity, and, above all, their great merits toward the Moderns. But these denied the premises, and seemed very much to wonder how the Ancients could pretend to insist upon their antiquity, when it was so plain (if they went to that) that the Moderns were much the more ancient of the two. As for any obligations they owed to the Ancients, they renounced them all. "It is true," said they, "we are informed some few of our party have been so mean as to borrow their subsistence from you, but the rest, infinitely the greater number (and especially we French and English), were so far from stooping to so base an example, that there never passed, till this very hour, six words between us. For our horses were of our own breeding, our arms of our own forging, and our clothes of our own cutting out and sewing." Plato was by chance up on the next shelf, and observing those that spoke to be in the ragged plight mentioned a while ago, their jades lean and foundered, their weapons of rotten wood, their armour rusty, and nothing but rags underneath, he laughed loud, and in his pleasant way swore, by ---, he believed them.
Now, the Moderns had not proceeded in their late negotiation with secrecy enough to escape the notice of the enemy. For those advocates who had begun the quarrel, by setting first on foot the dispute of precedency, talked so loud of coming to a battle, that Sir William Temple happened to overhear them, and gave immediate intelligence to the Ancients, who thereupon drew up their scattered troops together, resolving to act upon the defensive; upon which, several of the Moderns fled over to their party, and among the rest Temple himself. This Temple, having been educated and long conversed among the Ancients, was, of all the Moderns, their greatest favourite, and became their greatest champion.
Things were at this crisis when a material accident fell out. For upon the highest corner of a large window, there dwelt a certain spider, swollen up to the first magnitude by the destruction of infinite numbers of flies, whose spoils lay scattered before the gates of his palace, like human bones before the cave of some giant. The avenues to his castle were guarded with turnpikes and palisadoes, all after the modern way of fortification. After you had passed several courts you came to the centre, wherein you might behold the constable himself in his own lodgings, which had windows fronting to each avenue, and ports to sally out upon all occasions of prey or defence. In this mansion he had for some time dwelt in peace and plenty, without danger to his person by swallows from above, or to his palace by brooms from below; when it was the pleasure of fortune to conduct thither a wandering bee, to whose curiosity a broken pane in the glass had discovered itself, and in he went, where, expatiating a while, he at last happened to alight upon one of the outward walls of the spider's citadel; which, yielding to the unequal weight, sunk down to the very foundation. Thrice he endeavoured to force his passage, and thrice the centre shook. The spider within, feeling the terrible convulsion, supposed at first that nature was approaching to her final dissolution, or else that Beelzebub, with all his legions, was come to revenge the death of many thousands of his subjects whom his enemy had slain and devoured. However, he at length valiantly resolved to issue forth and meet his fate. Meanwhile the bee had acquitted himself of his toils, and, posted securely at some distance, was employed in cleansing his wings, and disengaging them from the ragged remnants of the cobweb. By this time the spider was adventured out, when, beholding the chasms, the ruins, and dilapidations of his fortress, he was very near at his wit's end; he stormed and swore like a madman, and swelled till he was ready to burst. At length, casting his eye upon the bee, and wisely gathering causes from events (for they know each other by sight), "A plague split you," said he; "is it you, with a vengeance, that have made this litter here; could not you look before you, and be d---d? Do you think I have nothing else to do (in the devil's name) but to mend and repair after you?" "Good words, friend," said the bee, having now pruned himself, and being disposed to droll; "I'll give you my hand and word to come near your kennel no more; I was never in such a confounded pickle since I was born." "Sirrah," replied the spider, "if it were not for breaking an old custom in our family, never to stir abroad against an enemy, I should come and teach you better manners." "I pray have patience," said the bee, "or you'll spend your substance, and, for aught I see, you may stand in need of it all, towards the repair of your house." "Rogue, rogue," replied the spider, "yet methinks you should have more respect to a person whom all the world allows to be so much your betters." "By my troth," said the bee, "the comparison will amount to a very good jest, and you will do me a favour to let me know the reasons that all the world is pleased to use in so hopeful a dispute." At this the spider, having swelled himself into the size and posture of a disputant, began his argument in the true spirit of controversy, with resolution to be heartily scurrilous and angry, to urge on his own reasons without the least regard to the answers or objections of his opposite, and fully predetermined in his mind against all conviction.
"Not to disparage myself," said he, "by the comparison with such a rascal, what art thou but a vagabond without house or home, without stock or inheritance? born to no possession of your own, but a pair of wings and a drone-pipe. Your livelihood is a universal plunder upon nature; a freebooter over fields and gardens; and, for the sake of stealing, will rob a nettle as easily as a violet. Whereas I am a domestic animal, furnished with a native stock within myself. This large castle (to show my improvements in the mathematics) is all built with my own hands, and the materials extracted altogether out of my own person."
"I am glad," answered the bee, "to hear you grant at least that I am come honestly by my wings and my voice; for then, it seems, I am obliged to Heaven alone for my flights and my music; and Providence would never have bestowed on me two such gifts without designing them for the noblest ends. I visit, indeed, all the flowers and blossoms of the field and garden, but whatever I collect thence enriches myself without the least injury to their beauty, their smell, or their taste. Now, for you and your skill in architecture and other mathematics, I have little to say: in that building of yours there might, for aught I know, have been labour and method enough; but, by woeful experience for us both, it is too plain the materials are naught; and I hope you will henceforth take warning, and consider duration and matter, as well as method and art. You boast, indeed, of being obliged to no other creature, but of drawing and spinning out all from yourself; that is to say, if we may judge of the liquor in the vessel by what issues out, you possess a good plentiful store of dirt and poison in your breast; and, though I would by no means lesson or disparage your genuine stock of either, yet I doubt you are somewhat obliged, for an increase of both, to a little foreign assistance. Your inherent portion of dirt does not fall of acquisitions, by sweepings exhaled from below; and one insect furnishes you with a share of poison to destroy another. So that, in short, the question comes all to this: whether is the nobler being of the two, that which, by a lazy contemplation of four inches round, by an overweening pride, feeding, and engendering on itself, turns all into excrement and venom, producing nothing at all but flybane and a cobweb; or that which, by a universal range, with long search, much study, true judgment, and distinction of things, brings home honey and wax."
This dispute was managed with such eagerness, clamour, and warmth, that the two parties of books, in arms below, stood silent a while, waiting in suspense what would be the issue; which was not long undetermined: for the bee, grown impatient at so much loss of time, fled straight away to a bed of roses, without looking for a reply, and left the spider, like an orator, collected in himself, and just prepared to burst out.
It happened upon this emergency that AEsop broke silence first. He had been of late most barbarously treated by a strange effect of the regent's humanity, who had torn off his title-page, sorely defaced one half of his leaves, and chained him fast among a shelf of Moderns. Where, soon discovering how high the quarrel was likely to proceed, he tried all his arts, and turned himself to a thousand forms. At length, in the borrowed shape of an ass, the regent mistook him for a Modern; by which means he had time and opportunity to escape to the Ancients, just when the spider and the bee were entering into their contest; to which he gave his attention with a world of pleasure, and, when it was ended, swore in the loudest key that in all his life he had never known two cases, so parallel and adapt to each other as that in the window and this upon the shelves. "The disputants," said he, "have admirably managed the dispute between them, have taken in the full strength of all that is to be said on both sides, and exhausted the substance of every argument pro and con. It is but to adjust the reasonings of both to the present quarrel, then to compare and apply the labours and fruits of each, as the bee has learnedly deduced them, and we shall find the conclusion fall plain and close upon the Moderns and us. For pray, gentlemen, was ever anything so modern as the spider in his air, his turns, and his paradoxes? he argues in the behalf of you, his brethren, and himself, with many boastings of his native stock and great genius; that he spins and spits wholly from himself, and scorns to own any obligation or assistance from without. Then he displays to you his great skill in architecture and improvement in the mathematics. To all this the bee, as an advocate retained by us, the Ancients, thinks fit to answer, that, if one may judge of the great genius or inventions of the Moderns by what they have produced, you will hardly have countenance to bear you out in boasting of either. Erect your schemes with as much method and skill as you please; yet, if the materials be nothing but dirt, spun out of your own entrails (the guts of modern brains), the edifice will conclude at last in a cobweb; the duration of which, like that of other spiders' webs, may be imputed to their being forgotten, or neglected, or hid in a corner. For anything else of genuine that the Moderns may pretend to, I cannot recollect; unless it be a large vein of wrangling and satire, much of a nature and substance with the spiders' poison; which, however they pretend to spit wholly out of themselves, is improved by the same arts, by feeding upon the insects and vermin of the age. As for us, the Ancients, we are content with the bee, to pretend to nothing of our own beyond our wings and our voice: that is to say, our flights and our language. For the rest, whatever we have got has been by infinite labour and search, and ranging through every corner of nature; the difference is, that, instead of dirt and poison, we have rather chosen to till our hives with honey and wax; thus furnishing mankind with the two noblest of things, which are sweetness and light."
It is wonderful to conceive the tumult arisen among the books upon the close of this long descant of AEsop: both parties took the hint, and heightened their animosities so on a sudden, that they resolved it should come to a battle. Immediately the two main bodies withdrew, under their several ensigns, to the farther parts of the library, and there entered into cabals and consults upon the present emergency. The Moderns were in very warm debates upon the choice of their leaders; and nothing less than the fear impending from their enemies could have kept them from mutinies upon this occasion. The difference was greatest among the horse, where every private trooper pretended to the chief command, from Tasso and Milton to Dryden and Wither. The light-horse were commanded by Cowley and Despreaux. There came the bowmen under their valiant leaders, Descartes, Gassendi, and Hobbes; whose strength was such that they could shoot their arrows beyond the atmosphere, never to fall down again, but turn, like that of Evander, into meteors; or, like the cannon-ball, into stars. Paracelsus brought a squadron of stinkpot-flingers from the snowy mountains of Rhaetia. There came a vast body of dragoons, of different nations, under the leading of Harvey, their great aga: part armed with scythes, the weapons of death; part with lances and long knives, all steeped in poison; part shot bullets of a most malignant nature, and used white powder, which infallibly killed without report. There came several bodies of heavy-armed foot, all mercenaries, under the ensigns of Guicciardini, Davila, Polydore Vergil, Buchanan, Mariana, Camden, and others. The engineers were commanded by Regiomontanus and Wilkins. The rest was a confused multitude, led by Scotus, Aquinas, and Bellarmine; of mighty bulk and stature, but without either arms, courage, or discipline. In the last place came infinite swarms of calones, a disorderly rout led by L'Estrange; rogues and ragamuffins, that follow the camp for nothing but the plunder, all without coats to cover them.
The army of the Ancients was much fewer in number; Homer led the horse, and Pindar the light-horse; Euclid was chief engineer; Plato and Aristotle commanded the bowmen; Herodotus and Livy the foot; Hippocrates, the dragoons; the allies, led by Vossius and Temple, brought up the rear.
All things violently tending to a decisive battle, Fame, who much frequented, and had a large apartment formerly assigned her in the regal library, fled up straight to Jupiter, to whom she delivered a faithful account of all that passed between the two parties below; for among the gods she always tells truth. Jove, in great concern, convokes a council in the Milky Way. The senate assembled, he declares the occasion of convening them; a bloody battle just impendent between two mighty armies of ancient and modern creatures, called books, wherein the celestial interest was but too deeply concerned. Momus, the patron of the Moderns, made an excellent speech in their favour, which was answered by Pallas, the protectress of the Ancients. The assembly was divided in their affections; when Jupiter commanded the Book of Fate to be laid before him. Immediately were brought by Mercury three large volumes in folio, containing memoirs of all things past, present, and to come. The clasps were of silver double gilt, the covers of celestial turkey leather, and the paper such as here on earth might pass almost for vellum. Jupiter, having silently read the decree, would communicate the import to none, but presently shut up the book.
Without the doors of this assembly there attended a vast number of light, nimble gods, menial servants to Jupiter: those are his ministering instruments in all affairs below. They travel in a caravan, more or less together, and are fastened to each other like a link of galley-slaves, by a light chain, which passes from them to Jupiter's great toe: and yet, in receiving or delivering a message, they may never approach above the lowest step of his throne, where he and they whisper to each other through a large hollow trunk. These deities are called by mortal men accidents or events; but the gods call them second causes. Jupiter having delivered his message to a certain number of these divinities, they flew immediately down to the pinnacle of the regal library, and consulting a few minutes, entered unseen, and disposed the parties according to their orders.
Meanwhile Momus, fearing the worst, and calling to mind an ancient prophecy which bore no very good face to his children the Moderns, bent his flight to the region of a malignant deity called Criticism. She dwelt on the top of a snowy mountain in Nova Zembla; there Momus found her extended in her den, upon the spoils of numberless volumes, half devoured. At her right hand sat Ignorance, her father and husband, blind with age; at her left, Pride, her mother, dressing her up in the scraps of paper herself had torn. There was Opinion, her sister, light of foot, hood-winked, and head-strong, yet giddy and perpetually turning. About her played her children, Noise and Impudence, Dulness and Vanity, Positiveness, Pedantry, and Ill-manners. The goddess herself had claws like a cat; her head, and ears, and voice resembled those of an ass; her teeth fallen out before, her eyes turned inward, as if she looked only upon herself; her diet was the overflowing of her own gall; her spleen was so large as to stand prominent, like a dug of the first rate; nor wanted excrescences in form of teats, at which a crew of ugly monsters were greedily sucking; and, what is wonderful to conceive, the bulk of spleen increased faster than the sucking could diminish it. "Goddess," said Momus, "can you sit idly here while our devout worshippers, the Moderns, are this minute entering into a cruel battle, and perhaps now lying under the swords of their enemies? who then hereafter will ever sacrifice or build altars to our divinities? Haste, therefore, to the British Isle, and, if possible, prevent their destruction; while I make factions among the gods, and gain them over to our party."
Momus, having thus delivered himself, stayed not for an answer, but left the goddess to her own resentment. Up she rose in a rage, and, as it is the form on such occasions, began a soliloquy: "It is I" (said she) "who give wisdom to infants and idiots; by me children grow wiser than their parents, by me beaux become politicians, and schoolboys judges of philosophy; by me sophisters debate and conclude upon the depths of knowledge; and coffee-house wits, instinct by me, can correct an author's style, and display his minutest errors, without understanding a syllable of his matter or his language; by me striplings spend their judgment, as they do their estate, before it comes into their hands. It is I who have deposed wit and knowledge from their empire over poetry, and advanced myself in their stead. And shall a few upstart Ancients dare to oppose me? But come, my aged parent, and you, my children dear, and thou, my beauteous sister; let us ascend my chariot, and haste to assist our devout Moderns, who are now sacrificing to us a hecatomb, as I perceive by that grateful smell which from thence reaches my nostrils."
The goddess and her train, having mounted the chariot, which was drawn by tame geese, flew over infinite regions, shedding her influence in due places, till at length she arrived at her beloved island of Britain; but in hovering over its metropolis, what blessings did she not let fall upon her seminaries of Gresham and Covent-garden! And now she reached the fatal plain of St. James's library, at what time the two armies were upon the point to engage; where, entering with all her caravan unseen, and landing upon a case of shelves, now desert, but once inhabited by a colony of virtuosos, she stayed awhile to observe the posture of both armies.
But here the tender cares of a mother began to fill her thoughts and move in her breast: for at the head of a troup of Modern bowmen she cast her eyes upon her son Wotton, to whom the fates had assigned a very short thread. Wotton, a young hero, whom an unknown father of mortal race begot by stolen embraces with this goddess. He was the darling of his mother above all her children, and she resolved to go and comfort him. But first, according to the good old custom of deities, she cast about to change her shape, for fear the divinity of her countenance might dazzle his mortal sight and overcharge the rest of his senses. She therefore gathered up her person into an octavo compass: her body grow white and arid, and split in pieces with dryness; the thick turned into pasteboard, and the thin into paper; upon which her parents and children artfully strewed a black juice, or decoction of gall and soot, in form of letters: her head, and voice, and spleen, kept their primitive form; and that which before was a cover of skin did still continue so. In this guise she marched on towards the Moderns, indistinguishable in shape and dress from the divine Bentley, Wotton's dearest friend. "Brave Wotton," said the goddess, "why do our troops stand idle here, to spend their present vigour and opportunity of the day? away, let us haste to the generals, and advise to give the onset immediately." Having spoke thus, she took the ugliest of her monsters, full glutted from her spleen, and flung it invisibly into his mouth, which, flying straight up into his head, squeezed out his eye-balls, gave him a distorted look, and half-overturned his brain. Then she privately ordered two of her beloved children, Dulness and Ill-manners, closely to attend his person in all encounters. Having thus accoutred him, she vanished in a mist, and the hero perceived it was the goddess his mother.
The destined hour of fate being now arrived, the fight began; whereof, before I dare adventure to make a particular description, I must, after the example of other authors, petition for a hundred tongues, and mouths, and hands, and pens, which would all be too little to perform so immense a work. Say, goddess, that presidest over history, who it was that first advanced in the field of battle! Paracelsus, at the head of his dragoons, observing Galen in the adverse wing, darted his javelin with a mighty force, which the brave Ancient received upon his shield, the point breaking in the second fold . . . Hic pauca . . . . desunt They bore the wounded aga on their shields to his chariot . . . Desunt . . . nonnulla. . . .
Then Aristotle, observing Bacon advance with a furious mien, drew his bow to the head, and let fly his arrow, which missed the valiant Modern and went whizzing over his head; but Descartes it hit; the steel point quickly found a defect in his head-piece; it pierced the leather and the pasteboard, and went in at his right eye. The torture of the pain whirled the valiant bow-man round till death, like a star of superior influence, drew him into his own vortex Ingens hiatus . . . . hic in MS. . . . . . . . . when Homer appeared at the head of the cavalry, mounted on a furious horse, with difficulty managed by the rider himself, but which no other mortal durst approach; he rode among the enemy's ranks, and bore down all before him. Say, goddess, whom he slew first and whom he slew last! First, Gondibert advanced against him, clad in heavy armour and mounted on a staid sober gelding, not so famed for his speed as his docility in kneeling whenever his rider would mount or alight. He had made a vow to Pallas that he would never leave the field till he had spoiled Homer of his armour: madman, who had never once seen the wearer, nor understood his strength! Him Homer overthrew, horse and man, to the ground, there to be trampled and choked in the dirt. Then with a long spear he slew Denham, a stout Modern, who from his father's side derived his lineage from Apollo, but his mother was of mortal race. He fell, and bit the earth. The celestial part Apollo took, and made it a star; but the terrestrial lay wallowing upon the ground. Then Homer slew Sam Wesley with a kick of his horse's heel; he took Perrault by mighty force out of his saddle, then hurled him at Fontenelle, with the same blow dashing out both their brains.
On the left wing of the horse Virgil appeared, in shining armour, completely fitted to his body; he was mounted on a dapple-grey steed, the slowness of whose pace was an effect of the highest mettle and vigour. He cast his eye on the adverse wing, with a desire to find an object worthy of his valour, when behold upon a sorrel gelding of a monstrous size appeared a foe, issuing from among the thickest of the enemy's squadrons; but his speed was less than his noise; for his horse, old and lean, spent the dregs of his strength in a high trot, which, though it made slow advances, yet caused a loud clashing of his armour, terrible to hear. The two cavaliers had now approached within the throw of a lance, when the stranger desired a parley, and, lifting up the visor of his helmet, a face hardly appeared from within which, after a pause, was known for that of the renowned Dryden. The brave Ancient suddenly started, as one possessed with surprise and disappointment together; for the helmet was nine times too large for the head, which appeared situate far in the hinder part, even like the lady in a lobster, or like a mouse under a canopy of state, or like a shrivelled beau from within the penthouse of a modern periwig; and the voice was suited to the visage, sounding weak and remote. Dryden, in a long harangue, soothed up the good Ancient; called him father, and, by a large deduction of genealogies, made it plainly appear that they were nearly related. Then he humbly proposed an exchange of armour, as a lasting mark of hospitality between them. Virgil consented (for the goddess Diffidence came unseen, and cast a mist before his eyes), though his was of gold and cost a hundred beeves, the other's but of rusty iron. However, this glittering armour became the Modern yet worsen than his own. Then they agreed to exchange horses; but, when it came to the trial, Dryden was afraid and utterly unable to mount. . . Alter hiatus . . . . in MS. Lucan appeared upon a fiery horse of admirable shape, but headstrong, bearing the rider where he list over the field; he made a mighty slaughter among the enemy's horse; which destruction to stop, Blackmore, a famous Modern (but one of the mercenaries), strenuously opposed himself, and darted his javelin with a strong hand, which, falling short of its mark, struck deep in the earth. Then Lucan threw a lance; but AEsculapius came unseen and turned off the point. "Brave Modern," said Lucan, "I perceive some god protects you, for never did my arm so deceive me before: but what mortal can contend with a god? Therefore, let us fight no longer, but present gifts to each other." Lucan then bestowed on the Modern a pair of spurs, and Blackmore gave Lucan a bridle. . . . Pauca desunt. . . . . . . . Creech: but the goddess Dulness took a cloud, formed into the shape of Horace, armed and mounted, and placed in a flying posture before him. Glad was the cavalier to begin a combat with a flying foe, and pursued the image, threatening aloud; till at last it led him to the peaceful bower of his father, Ogleby, by whom he was disarmed and assigned to his repose.
Then Pindar slew ---, and --- and Oldham, and ---, and Afra the Amazon, light of foot; never advancing in a direct line, but wheeling with incredible agility and force, he made a terrible slaughter among the enemy's light-horse. Him when Cowley observed, his generous heart burnt within him, and he advanced against the fierce Ancient, imitating his address, his pace, and career, as well as the vigour of his horse and his own skill would allow. When the two cavaliers had approached within the length of three javelins, first Cowley threw a lance, which missed Pindar, and, passing into the enemy's ranks, fell ineffectual to the ground. Then Pindar darted a javelin so large and weighty, that scarce a dozen Cavaliers, as cavaliers are in our degenerate days, could raise it from the ground; yet he threw it with ease, and it went, by an unerring hand, singing through the air; nor could the Modern have avoided present death if he had not luckily opposed the shield that had been given him by Venus. And now both heroes drew their swords; but the Modern was so aghast and disordered that he knew not where he was; his shield dropped from his hands; thrice he fled, and thrice he could not escape. At last he turned, and lifting up his hand in the posture of a suppliant, "Godlike Pindar," said he, "spare my life, and possess my horse, with these arms, beside the ransom which my friends will give when they hear I am alive and your prisoner." "Dog!" said Pindar, "let your ransom stay with your friends; but your carcase shall be left for the fowls of the air and the beasts of the field." With that he raised his sword, and, with a mighty stroke, cleft the wretched Modern in twain, the sword pursuing the blow; and one half lay panting on the ground, to be trod in pieces by the horses' feet; the other half was borne by the frighted steed through the field. This Venus took, washed it seven times in ambrosia, then struck it thrice with a sprig of amaranth; upon which the leather grow round and soft, and the leaves turned into feathers, and, being gilded before, continued gilded still; so it became a dove, and she harnessed it to her chariot. . . . . . . . Hiatus valde de- . . . . flendus in MS.